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It sounds immaculate.Īubrey Drake Graham had gone supernova more or less overnight by making softer, prettier music than your average rapper. Crafted by Kreviazuk and a young sonic visionary named Noah “40” Shebib, it’s a softer, prettier intro than you’d expect from a blockbuster rap album before 2011. Then comes Chantal Kreviazuk’s voice, sighing yet casually impassioned, painting streaks of neon on the music as she professes her irrational devotion. A sparse beat kicks up in the background, skipping and thudding as if we’re hearing it through the wall. Every piano chord is a shimmering pool, glassy on the surface, deep enough to get lost in.
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